Who he was
There are two jobs hiding inside almost every modern U.S. coin. One person draws the picture. A second person decides how that picture lives in metal — how high the relief stands (the relief is how far the design rises off the flat surface), how the surfaces catch light, what gets sharpened and what gets softened so the design survives being hammered into a disc a few millimeters thick. Michael Gaudioso spent eleven years doing the second job, and his name is on roughly fifty coins and medals because of it.
He did not set out to make coins. Gaudioso earned his undergraduate degree at the University of the Arts in Philadelphia and a Master of Fine Arts from the New York Academy's graduate school of figurative art in New York City. In between, from 1995 to 1999, he studied sculpture in St. Petersburg, Russia, at the Repin Institute — the descendant of the old imperial academy of arts. That is draw-the-figure-from-life training, the kind that teaches a sculptor to read anatomy and light long before touching clay.
Before the Mint, he earned his living in an unexpected medium: stained glass. Gaudioso worked as a master painter and designer for Willet Hauser, one of the oldest stained-glass studios in the country. It is a craft about light, color, and designing for a fixed surface — useful instincts for a man who would later spend his days deciding how a coin should catch the sun. He also taught figure drawing at Villanova University.
He joined the United States Mint's sculpting-and-engraving staff in Philadelphia in 2009 and retired in late September 2020, after about eleven years. In that span the Mint credits him with sculpting on the order of fifty coins and medals — and on a handful of those, he was the artist who both drew the design and cut it.